Cultura Ballroom: A Arte da Resistência (2023)
Well, you know, those who train win.
In the film, the ballroom movement is portrayed, highlighting the importance of the so-called houses — ballroom communities that welcome LGBTQ+ people in situations of social vulnerability, especially Black people, trans people, and travestis — and offer them a new perspective on life within this cultural context. These houses provide a space of freedom to be yourself, to compete for prizes, and, most importantly, to show how brightly you can shine on the dance floor.
User rating:
Cast
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Anastácia Doll | As: Herself |
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Diana Doll | As: Herself |
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Nefertiti Doll | As: Herself |
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Storyline
In the film, the ballroom movement is portrayed, highlighting the importance of the so-called houses — ballroom communities that welcome LGBTQ+ people in situations of social vulnerability, especially Black people, trans people, and travestis — and offer them a new perspective on life within this cultural context. These houses provide a space of freedom to be yourself, to compete for prizes, and, most importantly, to show how brightly you can shine on the dance floor.
| Tagline: | Well, you know, those who train win. |
| Certification: | 10 |
Cast
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Anastácia Doll |
Herself |
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Diana Doll |
Herself |
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Nefertiti Doll |
Herself |
Directed By
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Glendha Melissa |
Director |
Writing Credits
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Glendha Melissa |
Writer |
Production Crew
Edited By
Costume and Makeup
Sound
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Urias |
Sound |
Visual Effects
Camera
Lighting
Art Department
Other Crew
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