The Last Split Second (1998)
A car crash is replayed as a victim's narration shifts from disbelief to pain. Colourization and motion-controlled footage suggest the feeling of tunnel vision induced by shock. Optical printing, film chemistry, digital effects and computer animation are layered to evoke the perceptions and technological mediations of trauma.
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A car crash is replayed as a victim's narration shifts from disbelief to pain. Colourization and motion-controlled footage suggest the feeling of tunnel vision induced by shock. Optical printing, film chemistry, digital effects and computer animation are layered to evoke the perceptions and technological mediations of trauma.
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| Certification: | Unknown |
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Judith Doyle |
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