User rating:
Cast
|
Aden Young | As: Angel |
|
David Field | As: Tatts |
|
Bill Hunter | As: Wilson |
|
Claudia Karvan | As: Catherine |
|
Norman Kaye | As: Elias Kidd |
Storyline
In this moody black and white drama, very much in the mode of the American "western," but with its own film noir characteristics, a whole town is heaved out of its doldrums when a pair of mysterious strangers come visiting. In the beginning of the film, Angel is traveling with his friend Max on a ship to Honeyfield, a town on the coast of Australia. He is coming home to die. Instead, he dies on board the ship, willing his boots to Angel, and an unopened package to someone called "The Dead Man," in Honeyfield. Also on the ship is a man named Tatts, a far less pleasant personality. When Angel gets off to head into Honeyfield, Tatts decides to follow along unseen. The package, Angel was told, contains something its intended recipient has been looking for without knowing it. On finding the recipient, a mean-spirited old man who is more or less the boss and owner of the town, he learns that the package contains opium.
| Tagline: | |
| Certification: | PG |
Cast
|
Aden Young |
Angel |
|
David Field |
Tatts |
|
Bill Hunter |
Wilson |
|
Claudia Karvan |
Catherine |
|
Norman Kaye |
Elias Kidd |
|
William McInnes |
Roger |
|
|
Stephen Davis |
Jack |
|
Dennis Miller |
Max O'Donnell |
|
Kris McQuade |
Woman |
|
|
Peter Settle |
Night Manager |
|
|
Ashley Rycen |
Girl at Caravan |
|
|
Lachlan McInnes |
Child in Car |
Directed By
|
|
Laurie McInnes |
Director |
|
|
Gordon Fitch |
Second Assistant Director |
|
|
Angella McPherson |
Assistant Director Trainee |
|
|
Bruce Redman |
First Assistant Director |
|
|
Jenny Quigley |
Continuity |
Writing Credits
|
|
Laurie McInnes |
Writer |
Production Crew
|
|
Chris Strewe |
Location Manager |
|
|
Lynn Gailey |
Production Supervisor |
|
|
Sharon Gerussi |
Production Coordinator |
|
|
Meredith King |
Associate Producer |
|
|
Eric Sankey |
Production Accountant |
|
|
Jennifer Cornwell |
Production Manager |
|
|
Gary Mason |
Associate Producer |
|
|
Julie Forster |
Line Producer |
|
|
Richard Mason |
Producer |
|
|
Liz Begg |
Production Secretary |
|
|
Guy Parmenter |
Production Assistant |
Edited By
Costume and Makeup
|
|
Christine Miller |
Makeup Designer |
|
|
Christine Miller |
Hair Designer |
|
|
Meg Gordon |
Wardrobe Supervisor |
|
|
Lesley Crawford |
Wardrobe Designer |
Sound
|
|
Craig Walmsley |
Boom Operator |
|
|
Jeanine Chiaivo |
Dialogue Editor |
|
|
Paul 'Salty' Brincat |
Sound Recordist |
|
|
Basil Krivoroutchko |
Boom Operator |
|
|
Leigh Elmes |
Assistant Sound Editor |
|
|
John Dennison |
Foley Recordist |
|
|
Peter Fenton |
Sound Mixer |
|
|
David Faulkner |
Original Music Composer |
|
|
Ron Purvis |
Sound Mixer |
|
|
Tony Vaccher |
ADR Recordist |
Visual Effects
Camera
|
|
Elise Lockwood |
Still Photographer |
|
|
Mike Kelly |
Focus Puller |
|
|
Mark Muggeridge |
Clapper Loader |
|
|
Phil Cross |
Steadicam Operator |
|
|
Damian Ritchie |
Assistant Grip |
|
|
Steve Mason |
Director of Photography |
|
|
Kurt Olsen |
Key Grip |
Lighting
|
|
Iain Mathieson |
Best Boy Electric |
|
|
Graham Rutherford |
Assistant Gaffer |
|
|
Jack Meyerink |
Gaffer |
Art Department
|
|
Nic Brunner |
Set Dresser |
|
|
Warren Stewart |
Runner Art Department |
|
|
Bill Howe |
Construction Manager |
|
|
Lisa Thompson |
Art Direction |
Other Crew
|
Alan Mowbray |
Armorer |
|
|
Gavin Smith |
Scenic Artist |
|
|
Danny Baldwin |
Stunt Coordinator |
|
|
Paul Klicin |
Generator Operator |
|
|
Jamie Newe |
Carpenter |
|
|
Gene Van Dam |
Generator Operator |
|
|
Chris Goddard |
Scenic Artist |
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