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Cast
|   | Robert De Niro | As: John 'Johnny Boy' Civello | 
|   | Harvey Keitel | As: Charlie Cappa | 
|   | David Proval | As: Tony DeVienazo | 
|   | Amy Robinson | As: Teresa Ronchelli | 
|   | Richard Romanus | As: Michael Longo | 
Storyline
A small-time hood must choose from among love, friendship and the chance to rise within the mob.
| Tagline: | Go to church on Sunday. Go to Hell on Monday. | 
| Certification: | 18 | 
Cast
|   | Robert De Niro | John 'Johnny Boy' Civello | 
|   | Harvey Keitel | Charlie Cappa | 
|   | David Proval | Tony DeVienazo | 
|   | Amy Robinson | Teresa Ronchelli | 
|   | Richard Romanus | Michael Longo | 
|   | Cesare Danova | Giovanni Cappa | 
|   | Victor Argo | Mario | 
|   | George Memmoli | Joey 'Clams' Scala | 
|   | Lenny Scaletta | Jimmy | 
|   | Jeannie Bell | Diane | 
|   | Murray Moston | Oscar | 
|   | David Carradine | Drunk | 
|   | Robert Carradine | Boy With Gun | 
|   | Lois Walden | Jewish Girl | 
|   | Harry Northup | Soldier | 
|   | Dino Seragusa | Old Man | 
|   | D'Mitch Davis | Cop | 
|   | Peter Fain | George | 
|   | Juli Andelman | Girl At Party | 
|   | Robert Wilder | Benton | 
|   | Ken Sinclair | Sammy | 
|   | Jaime Alba | Young Boy #1 | 
|   | Ken Konstantin | Young Boy #2 | 
|   | Nicki "Ack" Aquilino | Man On Docks | 
|   | B. Mitchell Reed | Disc Jockey | 
|   | Martin Scorsese | Jimmy Shorts (uncredited) | 
|   | Catherine Scorsese | Woman on Landing (uncredited) | 
|   | Vincent Price | Verden Fell (archive footage) | 
Directed By
|   | Martin Scorsese | Director | 
|   | Russell Vreeland | First Assistant Director | 
|   | Bobbie Sierks | Script Supervisor | 
|   | Ron Satlof | Second Assistant Director | 
Writing Credits
|   | Martin Scorsese | Screenplay | 
|   | Mardik Martin | Screenplay | 
|   | Martin Scorsese | Story | 
Production Crew
|   | Jonathan T. Taplin | Producer | 
|   | E. Lee Perry | Executive Producer | 
|   | David Osterhout | Assistant Production Coordinator | 
|   | Paul Rapp | Production Manager | 
|   | Peter Fain | Production Coordinator | 
Edited By
|   | Sidney Levin | Editor | 
|   | Martin Scorsese | Editor | 
|   | George Trirogoff | Assistant Editor | 
Costume and Makeup
|   | Norman Salling | Wardrobe Supervisor | 
|   | Cornelia McNamara | Other | 
Sound
|   | Walter Goss | Sound Re-Recording Mixer | 
|   | Charles Grenzbach | Sound Re-Recording Mixer | 
|   | Glen Glenn | Sound | 
|   | John Wilkinson | Sound Re-Recording Mixer | 
|   | Donald F. Johnson | Sound Mixer | 
|   | Kenneth Schwarz | Boom Operator | 
Visual Effects
Camera
|   | Kent L. Wakeford | Director of Photography | 
|   | Harry Young | First Assistant Camera | 
|   | Gene Talvin | Camera Operator | 
|   | Pat O'Mara | Camera Intern | 
|   | John Murray | Key Grip | 
|   | Norman Gerard | Additional Photography | 
|   | Pat O'Mara | First Assistant Camera | 
Lighting
|   | Bill Young | Best Boy Electrician | 
Art Department
|   | David Nichols | Production Design | 
|   | David Nichols | Other | 
|   | Doyle Hall | Other | 
Other Crew
|   | George Toth | Animal Wrangler | 
|   | Bill Catching | Stunt Coordinator | 
|   | Chris Thompson | Production Office Assistant | 
|   | Bill Balles | Special Effects | 
|   | Pamela Williams | Production Office Assistant | 
|   | Sandra Weintraub | Post Production Supervisor | 
|   | Neil Rapp | Production Office Assistant | 
|   | Joe Cupcake | Production Office Assistant | 
|   | Bob Orrison | Stunts | 
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