Four images on a tape by Breda Beban and Hrvoje Horvatić are four arbitrarily chosen samples of the physical world or four micro-geographies: the fluid structure of a puddle disturbed by raindrops, features of a remarkable man’s face, a fish’s head and granite cubes. The duration of fixation at each of the inserts and their free order (by association) transcends the iconic dimension of the videoclip and call for meditation.