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Cast
|   | Rose Byrne | As: B.G. | 
|   | Rikiya Kurokawa | As: J.M. | 
|   | Nicholas Hope | As: Grandpa | 
|   | Elise McCredie | As: Marie | 
|   | Tim Richards | As: Drummer Boy | 
Storyline
A rich, young businessman travels to Australia with the intention of buying a 1967 Citroën DS. Once he arrives, things do not go to plan, and he must drive the DS into the outback alongside a blind young woman in order to track down its seller.
| Tagline: | |
| Certification: | R | 
Cast
|   | Rose Byrne | B.G. | 
|   | Rikiya Kurokawa | J.M. | 
|   | Nicholas Hope | Grandpa | 
|   | Elise McCredie | Marie | 
|   | Tim Richards | Drummer Boy | 
|   | Bree Beadman | Young B.G. | 
|   | Satya Gumbert | Young Marie | 
|   | Tina Bursill | Esther | 
|   | Dominic Condon | Mr. Hughes | 
|   | Tim McGarry | Detective | 
|   | John Boxer | Barman | 
|   | Harry Lawrence | Old Man in Bar | 
|   | Masato Sakai | Roadside Noodle Eater | 
Directed By
|   | Clara Law | Director | 
|   | Chris Webb | First Assistant Director | 
|   | Tanya Jackson | Second Assistant Director | 
|   | Scott Lovelock | Third Assistant Director | 
|   | Geoff Willman | Third Assistant Director | 
|   | Claude Gonzalez | Continuity | 
Writing Credits
|   | Clara Law | Writer | 
|   | Eddie Fong | Writer | 
Production Crew
|   | Wouter Barendrecht | Executive Producer | 
|   | Eddie Fong | Producer | 
|   | Akiko Funatsu | Executive Producer | 
|   | Dennis Kiely | Line Producer | 
|   | Helen Loveridge | Executive Producer | 
|   | Peter Sainsbury | Executive Producer | 
|   | Michael J. Werner | Executive Producer | 
|   | Geoff Naylor | Unit Manager | 
|   | Jane Norris | Casting Assistant | 
|   | Dani Skye | Casting Assistant | 
|   | Auslan Ismail | Location Manager | 
|   | Katie Gordon | Production Coordinator | 
|   | Lucy Vorst | Production Accountant | 
|   | Yōko Narahashi | Casting | 
|   | Anousha Zarkesh | Casting | 
Edited By
|   | Arthur Cambridge | Color Grading | 
|   | Adrian Hauser | Colorist | 
|   | Caroline Scott | Assistant Editor | 
|   | Kate Williams | Editor | 
Costume and Makeup
|   | Margaret Aston | Assistant Makeup Artist | 
|   | Robyn Austin | Makeup Supervisor | 
|   | Robyn Austin | Hair Supervisor | 
|   | Annie Marshall | Costume Design | 
|   | Helen Mather | Costume Design | 
Sound
|   | Sue Kerr | Boom Operator | 
|   | Gerry Long | Foley Artist | 
|   | Robert Mackenzie | ADR Recordist | 
|   | Skye Ritchie | Assistant Sound Editor | 
|   | Livia Ruzic | Sound Editor | 
|   | Roger Savage | Sound Mixer | 
|   | Gareth Vanderhope | Sound Effects Designer | 
|   | Peter Grace | Sound Recordist | 
|   | Jen Anderson | Original Music Composer | 
Visual Effects
|   | Andrea Parkes | Visual Effects Producer | 
|   | Chris Schwarze | Visual Effects Producer | 
|   | Peter Webb | Visual Effects | 
|   | Scott Otto Anderson | Animation Director | 
Camera
|   | Venetia Armstrong-Smith | Clapper Loader | 
|   | John Balbi | Grip | 
|   | Simon Cardwell | Still Photographer | 
|   | Jeremy Dibben | Assistant Camera | 
|   | Sally Eccleston | First Assistant Camera | 
|   | Benjamin Jasper | Focus Puller | 
|   | Roy Mico | Key Grip | 
|   | Dion Beebe | Director of Photography | 
Lighting
|   | Nick De Laine | Gaffer | 
|   | Adam Hunter | Best Boy Electric | 
Art Department
|   | Emma Lawes | Art Direction | 
|   | Geoff Howe | Construction Coordinator | 
|   | Dillon Yeats | Runner Art Department | 
|   | Scott Otto Anderson | Title Designer | 
|   | Nicholas McCallum | Production Design | 
Other Crew
|   | Christian Gazal | Post Production Supervisor | 
|   | Mick Corrigan | Stunts | 
|   | Billy Browne | Post Production Assistant | 
|   | Sue Healy | Choreographer | 
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