In the first decades of the 20th century, when life was being transformed by scientific innovations, researchers made a thrilling new claim: they could tell whether someone was lying by using a machine. Popularly known as the “lie detector,” the device transformed police work, seized headlines and was extolled in movies, TV and comics as an infallible crime-fighting tool. Husbands and wives tested each other’s fidelity. Corporations routinely tested employees’ honesty and government workers were tested for loyalty and “morals.” But the promise of the polygraph turned dark, and the lie detector too often became an apparatus of fear and intimidation. The Lie Detector is a tale of good intentions, twisted morals and unintended consequences.

Raised in the small all-Black Florida town of Eatonville, Zora Neale Hurston studied at Howard University before arriving in New York in 1925. She would soon become a key figure of the Harlem Renaissance, best remembered for her novel, Their Eyes Were Watching God. But even as she gained renown in the Harlem literary circles, Hurston was also discovering anthropology at Barnard College with the renowned Franz Boas. She would make several trips to the American South and the Caribbean, documenting the lives of rural Black people and collecting their stories. She studied her own people, an unusual practice at the time, and during her lifetime became known as the foremost authority on Black folklore. Zora Neale Hurston: Claiming a Space is an in-depth biography of the influential author whose groundbreaking anthropological work would challenge assumptions about race, gender and cultural superiority that had long defined the field in the 19th century.

For generations, Monopoly has been America’s favorite board game, a love letter to unbridled capitalism and — for better or worse — the impulses that make our free-market society tick. But behind the myth of the game’s creation is an untold tale of theft, obsession and corporate double-dealing. Contrary to the folksy legend spread by Parker Brothers, Monopoly’s secret history is a surprising saga that features a radical feminist, a community of Quakers in Atlantic City, America’s greatest game company, and an unemployed Depression-era engineer. And the real story behind the creation of the game might never have come to light if it weren’t for the determination of an economics professor and impassioned anti-monopolist.

The Movement and the “Madman” shows how two antiwar protests in the fall of 1969 — the largest the country had ever seen — pressured President Nixon to cancel what he called his “madman” plans for a massive escalation of the U.S. war in Vietnam, including a threat to use nuclear weapons. At the time, protestors had no idea how influential they could be and how many lives they may have saved. Told through remarkable archival footage and firsthand accounts from movement leaders, Nixon administration officials, historians, and others, the film explores how the leaders of the antiwar movement mobilized disparate groups from coast to coast to create two massive protests that changed history.

For nearly 50 years, chemical engineer and inventor Mária Telkes applied her prodigious intellect to harnessing the power of the sun. She designed and built the world’s first successfully solar-heated modern residence and identified a promising new chemical that, for the first time, could store solar heat like a battery. And yet, along the way, she was undercut and thwarted by her boss and colleagues — all men — at MIT. Despite these obstacles, Telkes persevered and, upon her death in 1995, held more than 20 patents. She is now recognized as a visionary pioneer in the field of sustainable energy. An unexpected and largely forgotten heroine, Telkes was remarkable in her vision and tenacity — a scientist and a woman in every way ahead of her time. Her research and innovations from the 1930s through the ‘70s continue to shape how we power our lives today.

In the 1950s and ’60s, an underground network of transgender women and cross-dressing men found refuge at a house in the Catskills region of New York. Known as Casa Susanna, the house provided a safe place to express their true selves

On September 12, 1974, police were stationed outside schools across Boston as Black and white students were bused for the first time between neighborhoods to comply with a federal court desegregation order. The cross-town busing was met with shocking violence, much of it directed at children: angry white protestors threw rocks at school buses carrying Black children and hurled racial epithets at the students as they walked into their new schools. The chaos and racial unrest would escalate and continue for years. Using eyewitness accounts, oral histories and news footage that hasn’t been seen in decades, The Busing Battleground pulls back the curtain on the volatile effort to end school segregation, detailing the decades-long struggle for educational equity that preceded the crisis.

Explore what happened when the small Mississippi town of Leland integrated its public schools in 1970. Told through the remembrances of students, teachers and parents, the film shows how the town – and America – were transformed.

The War on Disco explores the culture war that erupted over the spectacular rise of disco music. Originating in underground Black and gay clubs, disco had unseated rock as America’s most popular music by the late 1970s. But many diehard rock fans viewed disco, with its repetitive beat and culture that emphasized pleasure, as shallow and superficial. A story that’s about much more than music, The War on Disco explores how the powerful anti-disco backlash revealed a cultural divide that to some seemed to be driven by racism and homophobia. The hostility came to a head on July 12, 1979, when a riot broke out at “Disco Demolition Night” during a baseball game in Chicago.